Believe it or not, a candy brand found itself at the center of a heated culture war, pulling off one of the most talked-about marketing stunts ever – and it’s all thanks to M&M’s beloved spokescandies!
For what felt like ages, the internet buzzed with every move Mars Wrigley, the genius company behind M&M’s, made as their colorful characters navigated outrage, redesigns, and a triumphant return, culminating in a Super Bowl ad confirming the spokescandies are back for good.
To truly understand this confectionary kerfuffle, we must rewind to about a year ago. Mars Wrigley embarked on an initiative to update the look of its M&M’s characters, aiming to make the mascots fit a “more dynamic, progressive world.” This rebranding was part of a larger corporate goal to foster “a world where everyone feels they belong,” a sentiment that, ironically, would soon spark considerable division.
One of the biggest shifts involved the green M&M, famously known as ‘the sexy one’ with go-go boots, who swapped her iconic footwear for sneakers and a less ‘sexy’ look as part of an inclusivity push, while the brown M&M also opted for more practical, lower heels.
These minor tweaks, especially to the green M&M’s outfit, sparked a two-sided debate: some feminists questioned if ‘being hot’ was inherently problematic, while conservatives jumped on the changes, declaring it another front in the ongoing ‘culture wars’.
Among the most vocal critics was Fox News host Tucker Carlson, who dedicated a segment on his show, *Tucker Carlson Tonight*, in January 2022, to condemn the rebrand. Carlson declared that “M&M’s will not be satisfied until every last cartoon character is deeply unappealing and totally androgynous,” adding, “Until the moment when you wouldn’t want to have a drink with any one of them. That’s the goal. When you’re totally turned off, we’ve achieved equity. They’ve won.” He found the M&M’s without heels “deeply unappealing” and claimed he “no longer wanted to date them (or at least, no longer wanted to drink with them).”
The controversy simmered for months, only to boil over again in September 2022, when M&M’s introduced a new female character, Purple. This peanut M&M, the first new color in over a decade, was designed to “represent acceptance and inclusivity,” debuting with a song titled “I’m Just Gonna Be Me.” It is worth noting that while Purple joined the spokescandy lineup, no purple candies were actually added inside M&M packages.
Conservatives swiftly labeled the candies ‘woke’ and speculated the new purple candy must be transgender, transforming the brand’s inclusivity efforts, which started with simple shoe changes, into a highly politicized lightning rod for broader societal debates.
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Things really heated up in December when M&M’s released an all-female packaging for International Women’s Day, featuring the female M&Ms with a pledge to donate to women’s empowerment organizations, yet one news anchor still managed to claim this ‘feminist pack’ was somehow emboldening China.
Carlson revisited the topic on his show in January 2023, reigniting the conversation with renewed fervor. He stated, “Woke M&M’s have returned,” and claimed, “The green M&M got her boots back, but apparently is now a lesbian, maybe? And there is also a plus-sized, obese purple M&M.” He also took aim at the orange M&M, asserting the “always-nervous character was said to have anxiety” and was “becoming a poster boy for the mental-health crisis.”
It is important to note that Mars Wrigley had not made any recent changes to the M&M characters at the time of Carlson’s January 2023 remarks. Carlson’s critique referenced images from 2015 and the September 2022 introduction of Purple, none of which constituted new information. Yet, his comments were enough to send the controversy spiraling back into the public eye.
The renewed backlash quickly found a new home on social media platforms like TikTok, where users began creating comical videos lip-syncing to Carlson’s audio clips. One such audio clip was used over 13,000 times within days of its publication on January 12, demonstrating the immense viral potential of these culture-war narratives.
Then, in a surprising twist on January 23rd, Mars Wrigley announced they were indefinitely pulling the ‘spokescandies,’ replacing them with Maya Rudolph and humorously admitting, ‘even a candy’s shoes can be polarizing.’
Maya Rudolph expressed genuine enthusiasm for her new role, telling Today, “I am a lifelong lover of the candy and I feel like it’s such an honor to be asked to be part of such a legendary brand’s campaign.” Her appointment seemed to signal a definitive shift away from the polarizing animated characters towards a human spokesperson.
At the time of the announcement, speculation ran rampant. Was this a genuine retreat from the controversy, or a clever marketing ploy? Many observers immediately drew parallels to Planters’ “death” of Mr. Peanut and his subsequent rebirth as Baby Nut, suggesting a calculated brand stunt ahead of the Super Bowl. As it turned out, their instincts were largely correct.
But in a swift turn of events, just five days later, The New York Times revealed the characters would indeed return for Super Bowl LVII, with a Mars Wrigley representative reassuring everyone that the characters were simply ‘currently on a break’ and would be staying.
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That initial ‘indefinite pause’ announcement masterfully generated massive public buzz, with the original tweet getting over 22,600 quote tweets and becoming the day’s top news, proving Mars Wrigley had expertly turned a controversy into a huge Super Bowl publicity win.
The Super Bowl commercial itself was a quirky revelation. Maya Rudolph playfully pretended to announce a switch from the classic M&M’s chocolate candies to “Ma&Yas clam candies,” showcasing bizarre images of chocolate-dipped clams. Meanwhile, the red M&M spokescandy appeared in the background holding a sign begging for help, adding to the comedic absurdity. Near the end of the game, a very short ad proclaimed, “They’re back for good,” definitively signaling the mascots’ return.
This grand reveal confirmed what many suspected: the entire saga was a well-executed, if somewhat audacious, publicity stunt. Mars Wrigley’s initial statement began with “America, let’s talk,” setting a stage for national dialogue that ultimately served to amplify their Super Bowl presence. The move effectively leveraged the prior internet controversy, hoping the “sheer weirdness” of the clam candy idea would highlight the “switcharoo” as a big, “melt-in-your-mouth joke.
Beyond the immediate buzz, this episode offers a valuable case study in brand activism and its inherent risks. Companies are increasingly expected to take stances on social issues, driven by consumer demand. Surveys, for instance, indicate that a significant majority of young people desire brands to engage with social issues. One survey found that 87% of people would purchase a product because a company advocated for an issue they cared about. Conversely, 76% would refuse to purchase products or services from a company supporting an issue contrary to their beliefs.
Brands like Nike have famously supported social causes, such as Colin Kaepernick’s protests against racial injustice, with their “For Once, Don’t Do It” campaign. Patagonia famously used its website to directly criticize the Trump administration, proclaiming “The President Stole Your Land.” Even Tampax faced criticism for its inclusive advertising of tampons for “people who menstruate.” In this context, M&M’s shoe preferences for its animated candies seem comparatively innocuous.
Marketing experts have weighed in on Mars Wrigley’s strategy. Tim Calkins, a marketing professor at Northwestern University’s Kellogg School of Management, suggested that M&M’s “stumbled into a more political debate than they had hoped to,” noting their “relatively subtle changes aimed at inclusivity didn’t seem like they were designed to spark much controversy, if any.” He observed that brands in such a predicament typically have “only two ways you really can play it here. Either you have to back away from the characters, or you have to stand up and really get into a fight.
Mars Wrigley Chief Marketing Officer for North America, Gabrielle Wesley, maintained that the decision to bring in Maya Rudolph was “not a reaction to but rather is in support of our M&M’s brand” and had been “in the works for a while.” This suggests a pre-planned strategy, though its execution was undoubtedly amplified by the unexpected intensity of the backlash.
Other experts offered varying perspectives on the brand’s moves. Geraldo Matos, an associate professor of marketing at Roger Williams University, cautioned that by temporarily pulling the candies, M&M’s might have “placed themselves smack dab in the middle of upsetting both parties.” Customers might question whether the brand abandoned its commitment to inclusivity. However, Lauren Labrecque, an associate professor of marketing at the University of Rhode Island, offered a more optimistic view, predicting the characters’ swift return and that “people — especially M&M’s fans — will have all forgotten what even the controversy was, and will be very welcoming.” She characterized the situation as “so inconsequential” on the spectrum of brand controversies, ultimately expecting it to be “a net positive.”
Historically, M&M’s has always used its characters with varying intensity. They’ve been around since the 1950s, sometimes heavily featured, sometimes less so. This isn’t the first time a Super Bowl ad has played with the removal and return of a beloved mascot, drawing parallels to Planters’ Mr. Peanut and Bud Light’s Bud Light Knight. Such precedents suggest a calculated, if risky, playbook at work.
Ultimately, the M&M’s spokescandies saga became a bizarre yet compelling spectacle, demonstrating the profound intersection of commerce, culture, and online virality in the 21st century. What started as a corporate push for inclusivity, albeit with peculiar character redesigns, morphed into a far-right talking point, a TikTok trend, and finally, a Super Bowl marketing triumph. It underscores how even the seemingly most trivial details—like a candy’s shoes—can become symbolic battlegrounds in the sprawling landscape of contemporary public discourse.
Now that the M&M’s spokescandies have officially reclaimed their starring role, their wild journey is a vivid, albeit quirky, reminder of the lasting power of brand mascots and how unpredictable consumer engagement can be in today’s divided world, proving that sometimes, the sweetest successes come from the most unexpected, and even controversial, places.
